
Based on a Leon Uris novel, the movie begins with the family of a high-ranking Soviet official defecting to the U.S. while visiting the Netherlands. The official tells the CIA that his government has a contact in the French intelligence service, code-named Topaz. A CIA spook tells the resident French spook in Washington about it, and said French spook runs down the lead via a circuitous route that includes a caper in a New York hotel, a mission in Castroist Cuba, and finally some high jinks in France.

Nevertheless there is something to be said for a bit of "typecasting." It's easier to find your footing in a film where you immediately know who the main character is, and a good deal about him too, without a line of dialogue or even a moment of expository footage. You see Henry Fonda, Cary Grant, James Stewart, Sean Connery, and BANG! you're off on exactly the type of adventure you should expect them to be in.
But what do you make of Frederick Stafford? He doesn't show up until 30 minutes into the film, and even then he only gradually grows in importance, and he is so little known and (I'm sorry) lacking in charisma that you still don't accept him as the main character for some time afterward. Such is the dubiousness of Stafford's position as the leading man that, when John Forsythe reappears near the end of the movie, you wonder if there's going to be a third act where Forsythe's character assumes center stage. You almost wish it to be so.
But the lack of star power isn't the main thing. It's just a stupid movie. It's long-winded, badly structured, and confusing. Some of the acting is dreadful. The beginning (including a freeze-frame of stock footage of a May Day parade in Red Square) looks silly and cheap. The longest and best of the three endings is the one that Hitchcock withdrew after the preview audiences declared it ridiculous. The short one that played in most theatres is quite abrupt and practically incomprehensible. The in-between one, in which Stafford cheerfully tells his wife that Operation Topaz is over, is so inappropriate that it's downright eerie.

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