
Rooster Cogburn is a roguish U.S. Marshall in the late-1800s American West. A pigtailed young girl named Mattie Ross hires him to help her track down her father's killer. Dad remembers the 1969 Mattie Ross, played by Kim Darby, as a whiny brat. Today's Mattie, courtesy of Hailee Steinfeld, came across (at least to me) as a strong-willed, fiercely determined young woman with a talent for getting her own way far beyond her years. Maybe the difference is that she never for an instant resorts to shrillness. She does it all by speaking quietly, distinctly, yet passionately; by reasoning grown men into a corner; and by staring them out of countenance with her hard, old-fashioned eyes. For me the moment that really defines the character is her parting remark to Frank James while visiting the Wild West Show (years later, as a 40-ish spinster, in the film's brief epilogue): "Keep your seat, trash."

The scene that really seized my imagination was the end of the story, properly speaking. Mattie has been snake-bit, and Rooster rushes her to medical care--first riding her horse to death, then running with the delirious girl in his arms in a dreamlike, starlit sequence, accompanied by the most unearthly strains of the film's musical signature: the homespun piety of "Leaning on the Everlasting Arms." Finally he collapses within sight of a settlement and, unable to take another step or utter a sound, fires his pistol into the sky to summon help. And this is the last we see of Rooster Cogburn; "we," in this case, including Mattie Ross. Suddenly, all his abrasive manners aside, this feels like a loss. That such an adventure could be only an incident in a lonely woman's life, and not the beginning of a relationship with those who shared it, is so movingly sad that viewers are likely to leave the film in a subdued mood--a strange ending to a great modern western.
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