ed. by Kathryn Petras and Ross Petras
Recommended Age: 11+
If you are ever tempted to write poetry, you must read this book. Perhaps, if it stops you before you begin, it will do the world a valuable service.

Even more flattering, perhaps, is the way the editors seem to induct you into a small circle of sensible, discerning people who can understand what makes their selections Very Bad Poetry.
The title says it all. So you need only read further if you have a perverse inclination to inflict irritation, embarrassment, and even flat-out suffering on yourself. Or, as I say, if you feel inclined to write poetry. Because honestly, most of the verse one sees these days in literary magazines, church newsletters, and minor newspapers is on a par with the stuff in this book. Famously (or infamously) mediocre poets enjoy one more opportunity to alarm us with their ghoulish shockers, sickeningly sweet idylls, and pompous processions of inappropriate metaphors.

The biggest surprise, however, is the editors' claim, in the introduction to the book, that bad poetry is an art form and that not just anybody can write it; it takes real talent! So perhaps I was wrong in saying that you can find "bad poetry" anywhere. It might be more accurate to say that not everything that has a semblance of rhyme, or that is broken into lines in a semblance of verse, is actually poetry. Poetry is a form of literature that employs special language to say something in a special way, above and beyond the means of mere prose.
And so bad poetry is something very special - something that uses advanced literary techniques, though perhaps clumsily, to say something best left unsaid. Bad poetry is just as effective (poor us!) and memorable (oh, no!) as the good stuff. Somebody poured his soul into it once, and it lives on for us to hold our nose and enjoy it as best we can - preferably with a handkerchief to wipe the tears of laughter off our faces.
EDIT: Pictured is another book by Petras Squared.
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