Monday, March 19, 2018
A Wrinkle in Time
The film had exactly this going for it: a cute cast (notwithstanding the unnecessary emphasis on Oprah); gorgeous photography; spectacular costumes, makeup and hairstyles; gosh-wow special effects; and the handful of scenes that it relatively faithfully duplicated from the book - like the suburb from hell, with all the kids bouncing red rubber balls in perfect unison, in a rhythm that made Charles Wallace's head hurt. But its pacing was slack and it kept pulling back from being a cosmically significant story, which was in my opinion the better part of what sold the L'Engle book. In spite of my overall dissatisfaction with the movie, I can even list three scenes that "made" it for me, to the extent that the movie was "made" for me at all: (1) Calvin, the cute boy who takes a shine to Meg for reasons she cannot fathom, tells her early in the movie that he likes her hair and she replies, "Don't. Just don't." Later, after they've been through hell together and they they pause to wash in a stream and do up her hair, he repeats his compliment and she goes all shy and demure and says, "Thank you." I loved that change in her character. (2) Charles Wallace, the genius little brother, introduces Meg and Calvin to Miss Who, the cosmic warrior who (up to a certain point in the movie, when the screenwriter seemingly quit caring) always speaks in literary quotations. Everything in that scene, from Calvin showing up and saying he had this feeling he needed to be there at that exact time and place, reminded me warmly of the book - one of the few scenes that did. (3) Michael Peña's bit as "Red," a character who increasingly appears to be a puppet guided by strings, is really eerie and menacing. And of course, I've already given up that one about the red bouncing balls.
Unfortunately, the book didn't explore the world of "Camazotz" all that much. It didn't end up having the oppressive, scary, gigantic scale I thought I remembered being conjured by the book. Too much of it was dialed down to a bit of family drama between Meg, her brother, and her dad. The climax of the movie just didn't seem all that climactic to me. And if they're going to pursue this series as a franchise, they're going to regret writing the other Murry siblings out of the script. At the end of the day, this is just another example of the principle that if you really love a book, you should pray that nobody ever makes a film out of it.