
We have the physically expressive Measha Brueggergosman (soprano), the easy-on-eyes-and-ears Kate Lindsey (mezzo), the familiar Paul Groves (tenor), and the uniquely resonant Jubilant Sykes (baritone), each contributing beautiful tone and musicality, and of course Robertson pulling deep emotion and powerful drama out of the overall texture. We also have a first half of the program featuring new work by local native Rollo Dillworth, as well as a connected pair of 20th-century classics:

It's too bad his pre-concert lecture probably went over the heads of its audience. Besides being a "dress rehearsal," it was also a "student concert" and so brought together a goodly number of high school kids who had never been to the symphony before. I overheard a couple of kids speculating about what they were about to experience: "It's some kind of band, isn't it?" Robertson discussed the Tippett piece with his usual discursive enthusiasm which, I fear, left out a great deal of context that might have been essential to the teens' understanding. I don't think you can assume they know as much as we knew at their age. I'm sorry, but I've been in teaching situations and I know that education ain't wut it use ter be.

IMAGES: Brueggergosman; Sykes; Lindsey
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