Son of a Witch
by Gregory Maguire
Recommended Ages: 14+
Three notes of caution are in order before I proceed. First, while Maguire has a nice voice and would probably do a great job reading his books for children, I do not think he has the versatility or the talent for dialects demanded by a story this complex. Secondly, Oz purists (and I'm fairly close to being one) may wish Maguire had created his own fantasy world rather than subjecting one so well established and beloved to such a hostile reinterpretation. Thirdly, the Adult Content Advisory that Wicked sent up the flagpole continues to wave and flap. This book explores some mature themes in political and private life with sometimes disturbing imagery, coarse language, and a relentless realism that casts an ominous shadow across the innocent, optimistic world of Oz. Also, there's the sex, sex, more sex, some of it of the troubling boy-on-boy persuasion.
Liir, the boy who may have been Elphaba's son, is now a man by every definition of the word, but he's not sure whether the love of his life is a Quadling girl named Candle or an army officer named Trism. Maybe it's both. Isn't that complicated! Liir's mission in life is supposed to be finding his half-sister Nor, who was last seen in bondage to the Wizard before Dorothy melted the Witch. To find her, however, he has to learn the magic to help an Elephant princess return to her true form before she dies. And he takes a roundabout route to doing that, passing through some of the darkest corners of Oz along the way.
When the Great and Terrible Oz abdicated, he left a power vacuum that has been filled by a succession of strange and awful rulers. Glinda was all right, but the Scarecrow who succeeded her was really an impostor and a figurehead for others. Eventually a new emperor arises who considers himself an apostle of the Unnamed God, but who is really the worst of the lot. What Liir does in this emperor's service leaves a terrible stain on his conscience that he will have a hard time wiping away. What he does after leaving the emperor's service shows amazing courage, passion, and a magical power he never saw in himself.
Wicked was more or less a story about a woman alone against a corrupt world. Son of a Witch, perhaps predictably, puts a young man in that lonely role. The one story is a quest for forgiveness that ends cruelly unfulfilled. The other is a quest for the truth that still remains to be revealed, though one crucial fact is stunningly confirmed at the very end.
Maguire's latest novel Egg and Spoon is another example of reinterpreting a traditional story about a witch. He brings a similar, original touch to several other folk classics, such as Cinderella, Snow White, and Dickens' A Christmas Carol. He excels at creating believable characters and a depth of focus that lends a sense of reality to his fictional worlds. In spite of the concerns noted above, I am interested in seeing what else he does with this talent.